Saying goodbye to big purchases can be tough. But if it’s not actively contributing to your music, that money might be better spent elsewhere. Think about what you actually need for your workflow.
Sorry if you weren’t there, but the late ’90s and early 2000s were fantastic. Once P2P was pioneered via Napster, the floodgates opened and the world of music sharing was here to stay. As an artist and a listener, my personal opinion is that we’ve regressed from that time. The problem with the P2P era, admittedly, was that artists were not getting remunerated for their recordings as disruptive tech eagerly pulled down the bloated major-label system. But, well, we’re still not getting paid that much anyway.
Sitting up in your chair, hold the djembe between your legs, angled behind them and underneath your chair. Your hands should be held out flat, parallel to the ground, with thumbs angled up to the ceiling a bit so they’re elevated from the rest of your hand.
Neh grants awarded 2019
You may already be familiar with the process of mixing. If you’re reading this article, then it’s likely you are at least aware that live performances use sound mixing boards to balance out the volume levels, panning, and EQ of each instrument and microphone line to ensure the performance sounds properly balanced. You may also be familiar with studio-based mixing practices, which incorporates what I just mentioned, but also includes effects processing like reverb, chorus, delay, saturation, and auto-tune, which can be applied to individual tracks or the mix at large.
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
A common distortion pedal for shoegaze is the fuzz, and there’s almost none more famous than the Big Muff Pi. It’s famous for a reason. It creates a high quality, juicy, fat sounding distortion for a comparatively low price and is sought after for its sustain as well. The Big Muff is really quite perfect for creating those colorful walls of noise, but there’s such a huge range of overdrive and distortion pedals out there, you really need to find what fits your personal taste.
What makes Madison so special for touring artists is the diverse nature of its musical culture. With a bubbling scene in everything from classical music to jazz to opera to summer music festivals, and more, Madison is a must stop for touring artists. It’s also home to labels like Crustacean Records and Kind Turkey Records. When it comes to live music, you can catch a show at the High Noon Saloon —named the “Best Venue” by a different organizations including Madison Magazine, the Madison Area Music Awards, and Isthmus — or any number of homey, intimate spaces like Kiki’s House of Righteous Music (shown above).
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Modern Mix Techniques course directly from our students.
Grants for rappers
Learn about underwater acoustics and how sounds travel in different directions and across far distances via a marine audio highway called the SOFAR Channel.
Pedalboards too cumbersome for your setup? We just launched a new free course with one of our favorite guitarists of all time, Kaki King, on how and why she uses a digital pedalboard, a MIDI foot controller, and expression pedal, in replacement of her analog board, on the world tour circuit. Here’s her explaining why she’ll never go back.
In the above video, courtesy of our brand new Mainstage course, TheoryWorks II: Sight Singing & Harmony Essentials, New York City vocal teacher and actor Amy Marie Stewart gives her take on why singing actors need to be able to grasp at least a fundamental understanding of music theory in order to maximize their chances of nailing an audition.
This holiday season, consider giving the gift of positive support in the form of a donation to one of these ten important music-related community charities.
The very first time I can recall hearing this song on my parents’ turntable, I was struck by that groovy little bass riff between the lyric lines “tell you something” and “I think you’ll understand,” and repeated throughout the verses in the same spot. What makes this little flurry of notes so clever is the sudden change in meter (coming out of the slow, steady rocking on the root and sometimes the fifth) and the double emphasis on the leading tones.